Shrek Auditions: Saturday, April 13th 9:00-1:00 at Capitol Theatre and 2:00-6:00 Body Kneads Dance 

Callbacks: Sunday, April 14th 2:00-4:00


Tuition for this show is $275

Cast Meeting: Sunday, April 29th 5:00-6:45 (Measurements for Costumes also)

Shrek Rehearsal Schedule:                                                         TECH:

Sunday June 23rd 2:00-8:00

Saturday May 3rd 9:00-1:00                                                        Monday June 24TH 4:00-9:00

Saturday May 11th 9:00-1:00                                                      Tuesday June 25th 4:00-9:00

Saturday May 18th 9:00-1:00                                                       Wednesday June 26th 4:00-9:00

Saturday May 25th 9:00-1:00

Saturday June 1st 9:00-1:00                                                       PERFORMANCES:

Sunday June 2nd 2:00-5:00                                                      Thursday June 27th 7:00pm/Call time 4:00

Monday June 3rd 9:00-12:00                                                    Friday June 28th Dinner 6:00 show 7:00/CT 4:00

Wednesday June 5th 9:00-12:00                                               Saturday June 29th 2 shows:

Friday June 7th 9:00-12:00                                                        1:00/CT 11:00 and 7:00/CT 5:00

Sunday June 9th 2:00-5:00                                                        STRIKE THE SET ON SUNDAY: NEED PARENTS

Monday June 10th 9:00-12:00

Wednesday June 12th 9:00-12:00

Friday June 14th 9:00-12:00

Monday June 17th 9:00-12L00

Wednesday June 19th 9:00-12:00

Friday June 21st 9:00-12:00

Saturday June 22nd 9:00-12:00 ….* Set Build from 12:00-9:00pm*

Sunday June 23rd 2:00-8:00


Auditions for Newsies

April 9th and 10th 5:00-9:00 by appointment only



Director: Angie Dee

Choreographer: Tosha Pendergrast

Music Director: Dr. John Ray

Please specify your audition by the 1 categories: (By Appointment)

April 9th and 10th

CHILDREN ONLY (Aged 10-15) auditioning for the role(s) of LES and NEWSIES ENSEMBLE

ALL OTHER ROLES (Principal, Supporting, Ensemble)

April 14th

Callbacks for Principal roles and Dance Call for DANCERS ONLY (Aged 14+) (No Singing Audition Required) 6:00-7:00pm

Click on the Sign Up Genius to secure your spot today: Space is limited.
Seize the Day! Be the King of New York! All roles are open to audition. We are seeking a large ensemble cast

(ages 10 and up) for this production.  There are 9 principal & supporting roles plus ensemble. Roles are available for all

genders ages 10+. Numerous roles for young adults and teens as well as roles for older adults and seniors.

Auditioners seeking principal or supporting roles must be at least 16 years old.

All auditioning for principal, supporting and non-newsie roles must bring sheet music with them and be prepared to sing up to 32 bars but no more than one minute, of a fully memorized Broadway-style musical selection in the style of NEWSIES that showcases their vocal range. Musical selections do not need to be from Disney’s NEWSIES.

Auditioners should mark their selection with a highlighter. An accompanist will be provided.  Tracts are allowed (please bring all cords and attachments and have it ready to play)

Auditioners may be asked to learn a short dance/movement combination taught at the audition and may also be asked to read from the script.


A separate dance call is scheduled for those performers who do not sing but dance and/or move very well.

If you are interested in a dance role only, please schedule your appointment for the Dancer Call on Sunday April 14th..

Dancers should dressed ready to dance (jazz shoes preferred) and be warmed up and ready to move.  All dancers should bring tap shoes, if you have them.


Audience of One Productions Inc.  a regional community theatre company and does not offer compensation for performers WITH THE EXCEPTION OF Jack, Crutchie, Davey and Katharine whom will be paid a stipend payment.




Music by Alan Menken; Lyrics by Jack Feldman; Book by Harvey Fierstein; Based on the Disney film written by Bob Tzudiker and Noni White; Music orchestrated by Danny Troob; Musical Director: Mark Hummel; Dance Music Arrangements: Mark Hummel; Incidental music by Michael Kosarin; Vocal arrangements by Michael Kosarin; Associate Musical Dir.: Steven Malone; Additional Orchestrations:Steven Margoshes and Dave Siegel

Director: Angie Dee

Choreographer: Tosha Pendergrast

Music Director: Dr. John Ray 

Set in turn-of-the century New York City, Newsies is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged “newsies.” When titans of publishing raise distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right!

Based on the 1992 motion picture and inspired by a true story, Newsies features a Tony Award-winning score by Alan Menken (Little Shop of Horrors, Sister Act) and Jack Feldman and a book by Tony Award winner Harvey Fierstein (Kinky Boots). Featuring the now classic songs “Carrying the Banner,” “Seize the Day,” and “Santa Fe,” Newsies is packed with non-stop thrills and a timeless message, perfect for the whole family and every audience.

All ages are just a suggestion and will be adjusted to fit the needs of our casting.

JACK KELLY (Lead, Male 17-25) – The charismatic leader of the Manhattan newsies, is an oprhaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West. Fiercely protective of his best friend, Crutchie, and strongly loyal, Jack isn’t afraid to use his voice to attain better conditions for the working kids of New York City. Though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability – especially when it comes to bantering with a certain female reporter. Must have a great pop tenor voice and sense of physicality.

KATHERINE PLUMBER (Lead, Female 17-25) – An ambitious young reporter, works hard to make a name for herself as a legitimate journalist in a time when women aren’t taken seriously. Quick, funny, and resourcesful, she boldy captures the voice of a new generation rising in her coverage of the newsies’ strike. While she generally has no time for cocky, streetwise young men, she makes an exception for Jack Kelly. Though she only has a brief dance solo in “King of New York,” Katherine should have a great contemporary pop voice with a high belt – diction is key.

JOSEPH PULITZER (Lead, Male, 35-55) – A pompous businessman through and through, owns the World and is concerned solely with the bottom line. Katherine’s no-nonsense father, Pulitzer doesn’t sympathize with the strikers, but he does eventually – and grudgingly – respect Jack.

CRUTCHIE (Supporting, Male  17-25) – A dedicated newsie with a bum leg that’s painful, but helps sell more papes. Though he walks with the assistance of a crutch, Crutchie doesn’t let it define him; when in a jam, Jack Kelly’s best friend relies on a goofy- sweet sense of humor and optimistic resilience. Crutchie is the heart of the resistance. Though movement will suggest a bum leg, Crutchie should still be included in the dance numbers.

DAVY (Supporting, Age 16-25) – Les’s straight-laced, bright big brother starts selling newspapers to help his family earn a living, but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance.

LES (Supporting, Male, 10-12) – Davey’s cheeky younger brother, is inspired by the freedom of the newsies and loves their independent lifestyle. A precocious and natural newsie, Les is an intuitive salesboy and a pint-sized charmer. He should present as younger than the other newsies.

SPOT CONLON (Supporting, Male or Female, 17-20) – The proud leader of the Brooklyn newsies, boasts an intimidating reputation and a short singing solo in “Brooklyn’s Here.”

DARCY (Supporting, Male or Female, 15-20) – The upper-class kid of a publisher who sides with the newsies. Can double as a newsie.

BILL (Supporting, Male, 15-25) – The son of William Randolph Hearst who joins the newsies’ cause. Can double as a newsie.

WIESEL (Supporting, Male, 35-50) – Or “Weasel,” runs the distribution window for the World and knows most of the newsies by name. Assisted by the intimidating Delancey brothers, who keep order by any means necessary, Wiesel is Pulitzer’s disgruntled paper- pusher.

OSCAR & MORRIS DELANCEY (Supporting, Male, 15-20) – Tough brothers who work at the distribution window for the World, take the side of the publishers in the strike and are known to use their fists to make a point.

SNYDER (Supporting, Male or Female, 45-65) – The crooked and sinister warden of The Refuge, a filthy and horrible orphanage, is concerned only with catching enough kids to keep government checks coming.

MEDDA LARKIN (Supporting, Female, 25-45) – Inspired by vaudeville performer Aida Overton Walker, this big-voiced saloon singer and star of the Bowery offers her theater as a safe haven for the newsies. An astute entertainer with great comic delivery, she’s a good friend to Jack and stands firmly behind the newsies in their fight for justice.

MR. (or MRS.) JACOBI (Cameo, Male or Female, 35-55) – Allows the newsies to congregate in the restaurant to plan their strike – when s/he doesn’t have any paying customers, that is.

MAYOR (Cameo, Male, 45-60) – The Mayor of New York City rebuffs Pulitzer’s attempts to shut down the newsies’ strike.

GOVERNOR TEDDY ROOSEVELT (Cameo, Male, 50-65) – A well-respected lifelong public servant, inspires Jack to stand up to Pulitzer.

THE NEWSIES: (Males & Females, 13-25) – Including Albert(Male), Buttons, Elme, Finch, Henry, Ike, Jo Jo, Mike, Mush, Race, Romeo, Specs, Splasher, and Tommy Boy, are some of the hard-working kids of New York City that go on strike for a livable wage. Strong dancers who can sing well (jazz, ballet, tap, acrobatics/tumbling a plus).

SCABS – (Male & Female, 13-20) Three newsies who are hesitant to join the strike.

ENSEMBLE: (Male & Female) – Male and female singers for the ensemble and chorus specialty parts.
In the original Broadway production, the adult (non-newsie) ensemble comprised eight actors who doubled as indicated below. All other featured roles and understudies were cast from the ensemble of newsies. We may or may not choose to use the following breakdown…
FEMALE ENSEMBLE 1 – Nun / Hannah / Bowery Beauty
FEMALE ENSEMBLE 2 – Nun / Woman / Bowery Beauty
FEMALE ENSEMBLE 3 – Nun / Medda Larkin
MALE ENSEMBLE 1 – Wiesel / Stage Manager / Mr. Jacobi / Mayor
MALE ENSEMBLE 4 – Nunzio / Guard / Policeman / Roosevelt

Act One
As Jack Kelly is savoring the last few moments of quiet before the sun rises, he shares with his best friend Crutchie his rooftop view of the city and his dream for a better life out West (“Santa Fe – Prologue”). At dawn, the newsies sing about their life and their work (“Carrying the Banner”), introducing this ramshackle group of young friends. They make their way to the distribution window for the World, where they pick up their daily stacks of papers to sell from Wiesel, who runs the window, and Morris and Oscar Delancey, goons who work for the World. Davey and Les, brothers trying to earn money for their family, meet the newsies and try to learn the ropes. Jack agrees to partner with the boys since Les’s young age will help him sell more papers, although Davey is skeptical.

Meanwhile, Joseph Pulitzer, publisher of the World, expresses displeasure at the declining sales of his newspaper and vows to increase profits (“The Bottom Line”), even if it is at the expense of the newsies.
At the end of the day, it’s clear that Les is a natural newsie. Before Jack and?the brothers can part ways, a man appears and chases Jack. Davey and Les follow Jack’s lead, running through the alleys of New York and finding safety in Medda’s Theater. Jack introduces them to Medda Larkin, one of the Bowery’s most famous performers. Jack explains that the man chasing them is named Snyder; he runs The Refuge, an orphanage that he keeps in squalid conditions and embezzles from. He’s had it out for Jack ever since he escaped. Medda offers her theater as a safe haven, and they stay to watch her perform (“That’s Rich”).

During Medda’s performance, Jack notices Katherine, a bright young reporter he had seen earlier that day. A smitten Jack makes several attempts to flirt with her, but Katherine, quick-witted and ever-professional, cleverly rebuffs him. While the Bowery Beauties perform their routine, Jack resorts to sketching a portrait of Katherine (“I Never Planned on You / Don’t Come a-Knockin'”), and leaves it for her to find.

The next day, as the newsies gather at the distribution window, the boys are outraged to learn that Pulitzer has increased their price for newspapers – they can barely afford to eat as it is! Prompted by Davey, the newsies decide to form a union and strike (“The World Will Know”).

After a successful first day of striking, newly elected union leader Jack Kelly assigns some kids to spread the word to newsies in other boroughs. Katherine arrives, hoping that the newsies will give her an exclusive for the Sun. Jack tells her to be at the distribution window the next morning; not only will the newsies prevent others from selling papers, but they plan to stop the delivery carts as well. He tells her that they all have a lot riding on her reporting skills, and Katherine gets to work writing her breakout article (“Watch What Happens”).

The next day, Jack arrives to find that only a few kids have assembled to strike. He urges Davey to convince the small group not to back down. When scabs arrive to take the newsies’ place, Jack asks them to stand in solidarity with all the city’s exploited working children. The scabs throw down their papers, just in time for Katherine and her photographer to snap a victorious photo (“Seize the Day”). But soon the newsies engage in a fierce fight with the Delanceys, Wiesel, and the police. Snyder scares Jack away, but not before he watches the Delanceys take down Crutchie and carry him off to The Refuge. Reaching the temporary safety of his rooftop, Jack paces, feeling guilty about leading the kids into danger. He looks out over the city and longs to escape (“Santa Fe”).

Act Two
Battered and bruised, the newsies lament the previous day’s events at Jacobi’s Deli. Amid rumors that Jack was captured, several newsies wonder where he is. Katherine arrives with a copy of the story she published in the Sun, complete with a front-page picture of the newsies. Ecstatically, they thank her and celebrate their – and Katherine’s – fame (“King of New York”). Meanwhile, Crutchie writes a letter to Jack from The Refuge expressing that he feels no ill will toward Jack and urging the newsies to stick together (“Letter from The Refuge”).

Davey, Les, and Katherine find Jack back at Medda’s Theater and try to convince him to come back to the fight. Jack refuses, saying that they can’t win against a man as powerful as Pulitzer. The three convince Jack that theirs is a fight worth fighting (“Watch What Happens – Reprise”); Jack finally agrees, and the kids plan a rally.

Discovering Katherine’s story, Pulitzer furiously resolves to take down Jack. Just then, a cocky Jack arrives to announce the newsies’ rally. Pulitzer assures Jack that no paper will cover it – and if it’s not in the press, it never happened. He then reveals Katherine, exposing her as his daughter, and Snyder, who emerges from the shadows. Pulitzer offers Jack a choice: get sent to The Refuge or renounce the strike and leave New York with pockets full of cash. The Delanceys escort Jack to the cellar, where an old printing press rests, to ponder his decision (“The Bottom Line – Reprise”).

That evening, Brooklyn newsies cross the bridge with Spot Conlon, their leader, to join newsies from every borough at Medda’s theater for the rally (“Brooklyn’s Here”). Davey gives an inspiring speech, riling up the newsies about their progress. However, Jack appears and tells them to go back to work because they are no match for Pulitzer. Jack accepts his payoff money at the door and exits quickly.

On his rooftop, Jack finds Katherine looking through his drawings of The Refuge’s bleak conditions. He snatches them from her and they argue fiercely until she kisses him. Katherine shares her plan to have the newsies distribute an article which quotes Jack on the exploitation of working kids and calls for a citywide strike. Before heading to the old printing press Jack recently discovered, they share their hope in each other (“Something to Believe In”).

With the help of Katherine and her well-connected friends, Darcy and Bill, the newsies sneak into Pulitzer’s cellar to print their paper (“Once and for All”). The kids distribute the pamphlet all over the city.

Pulitzer’s office is flooded with angry calls from every corner of?New York. Having read the Newsies Banner, Pulitzer is furious at the kids’ attempt to thwart him. Jack, Davey, and Spot show?up (“Seize the Day – Reprise”) to personally deliver the news and say that the kids are willing to make a compromise. Pulitzer refuses to back down until Governor Roosevelt appears with Katherine and Jack’s drawings of The Refuge. Alone, Jack and Pulitzer come to an agreement they can both live with – the price increase is reduced by half, and publishers will buy back any unsold papers. The strike is over!

Outside, Jack announces the end of the strike. Crutchie appears amid the jubilation, followed by a handcuffed Snyder. Despite his dreams for Santa Fe, Jack realizes that the newsies are his family and Katherine gives him something to believe in – so he’s staying put for now (“Finale Ultimo”).


Newsies Rehearsal Schedule:

Location at Capitol Theatre unless indicated (Body Kneads Dance Studio)

Cast Meeting: April 29th 7:00-8:30

Sunday May 5th 2:00-8:00pm

Sunday May 19th 2:00-8:00pm

Sunday May 26th 2:00-8:00pm

Saturday June 1st (Body Kneads Dance Studio) 12:30-5:00

Sunday June 2nd 5:00-9:00

Monday June 3rd 12:30-5:00

Wednesday June 5th 12:30-5:00

Friday June 7th 12:30-5:00

Saturday June 8th (Body Kneads Dance Studio) 12:30-5:00

Sunday June 9th 5:00-9:00

Monday June 10th 12:30-5:00

Wednesday June 12th 12:30-5:00

Friday June 14th (Body Kneads Dance Studio) 12:30-5:00

Saturday June 15th (Body Kneads Dance Studio) 12:30-5:00

Monday June 17th 12:30-5:00

Wednesday June 19th 12:30-5:00

Friday June 21st 12:30-5:00

Saturday June 22nd (?)

Monday June 24th 10:00-3:00

Tuesday June 25th 10:00-3:00

Wednesday June 26th 10:00-3:00

Off July 1st-6th

Monday July 8th 9:00-4:00

Tuesday July 9th 9:00-4:00

Wednesday July 10th 9:00-4:00

Thursday July 11th 9:00-4:00

Friday July 12th 9:00-4:00


Sunday July 14th 2:00-9:00

Monday July 15th 2:00-9:00

Tuesday July 16th 2:00-9:00

Wednesday July 17th 3:00-9:00 (off is ready???)


Thursday July 18th 7:00pm/ Calltime 4:30

Friday July 19th 7:00pm/ Calltime 4:30

Saturday July 20th 2 show day: 1:00/ Calltime 11:00 and 7:00/ Calltime 5:00

Sunday July 21st 3:00/ Calltime 1:00

Thursday July 25th 7:00/ Calltime 4:30

Friday July 26th 7:00/ Calltime 4:30

Saturday July 27th 2 show day: 1:00/ Calltime 11:00 and 7:00/ Calltime 5:00

Remember one thing:  At Audience of One Productions you are valued and loved by the only one who matters…Your creator!  When you operate for THE AUDIENCE OF ONE… you should know that you are already CAST into the Kingdom.  All the rest is just temporal… I hope you all find peace and joy in the casting decisions and know that you are all AMAZING!!!